Alfred Schutz's "Fragments on the phenomenology of music" has been edited from a manuscript written in Lake Placid during the week of July 16th to July 23rd ...

The following frank comments on the subject of analysis, though they obviously represent a preliminary examination af some of the problems that emerge between philosophical analysis and phenomenology as the two major trends in contemporary philosophy, are conceived by the present author in a much broader manner than the mere confrontation of two apparently opposing schools of thought. Due to the emergent nature of these themes, some adagio, others allegro, it has been impossible to arrange them in the usual systematic (...) manner. Whatever in these comments is "offensive" to either phenomenologist or analyst derives from the fact that this is only a preliminary study, in which the author is orienting himself and preparing for more systematic and thorough-going dialogue with sympathetic analyst friends and phenomenologist critics. What is presented here to friend, foe, and general philosophical reader, is a selection of themes that have puzzled me greatly. I offer them without any of the usual excuses and with the hope that to some extent this discussion may bring philosophers together, so that we can begin to lind the common ground, on which to make our contribution to contemporary thought the more truly convincing. (shrink)